Regular Guy Review: True Detective S2E2

I guess a shotgun shot to the gut isn’t as bad as getting your twig and berries shot off at point blank range with one. Well, this episode was a definite step up from last weeks disappointing season premiere. The wheels are turning and some have apparently stopped already. We get much better pictures of our characters this week as well as a better grasp on the plot. The writing was still a bit too heavy handed, but the acting is still through the roof. I am beginning to have a few issues with the cinematography, but they aren’t too bad. Also, I hope the show isn’t going to deliver shockers like the one in this episode on a regular basis. It worked very well tonight, but I hope they don’t try and twist and yank us around all season. So, with all of this said, let’s begin our autopsy for this week’s episode of True Detective.

What Worked?

Vince Vaughn

We begin this week’s episode with a scene of Vaughn and his wife/girlfriend (I don’t know if it’s been officially disclosed which she is). He is staring at the ceiling contemplating his current situation and how it connects with an extremely pleasant childhood memory. I speak of course about his story about his drunk father locking him in the basement for 6 days in the dark with little to no food, a shitty light bulb, and of course rats. There’ll be more on this anecdote later. Although, I had some issues with the story being told, Vaughn was extremely believable as an unhinged gangster remembering the days that shaped him into who he is now. He is telling a great story with his eyes during this scene. You can seem to see him actually recall these events as if he were using a personal story for his character. Later in the episode, you can see his desperation wiped away. In the first episode, one of my criticisms was that he didn’t seem like a believable gangster. Now that he isn’t playing nice anymore, I can see what the casting director obviously saw. He is very reminiscent of Vincent D’Onofrio from Daredevil. Much like Kingpin, Vince Vaughn is forced to get tough with those around him who are trying to screw him over. Much like D’Onofrio, Vaughn is charismatic and unhinged. I’m excited to see him get his hands even dirtier. I like his reluctance to get back into the underworld, but you can tell that this is where he thrives. I’ll be keeping a close watch on his eyes, because that is where Vaughn is telling his story.

Colin Farrell

Can you keep breaking my heart, making me hate you, and making me root for you? Up until he was shot and presumedly killed at the end of this episode, he was, pun intended, murdering his character. Farrell has created a character so dynamic that it's almost excitedly, exhausting just keeping up with his storyline. He shows you all the sides of his character whether ugly, good, bad, beautiful, or sad. The whole episode this week just seemed to shit on him, and he just took it in stride. He considered the idea that perhaps he wasn’t all bad, just to then get shot right in the fucking gut, twice. I really hope he isn’t dead. I don’t think the show would kill off its easily most compelling character. It just wouldn’t make sense for them to kill the character we feel the strongest connection to. I really think he is wearing a vest. If he were to die, I would be extremely sad to see his character leave the show with having only thought of redemption rather than attempting some sort of act of redemption.

Character Filth

We all love this show for the horrible pictures it paints with its characters. The side characters we see this week are creepy, gross, and corrupt. The psychiatrist we meet is extremely unsettling with his mannerisms and tone. He obviously knows much more than he is letting on, and perhaps could play a much bigger role in this season than just this small part. Also, the fact that he knows Rachel McAdam’s father is another hint/nod that the cult/commune her father leads could be much more nefarious than previously believed. We know that True Detective doesn’t just reference things offhandedly.

Also, the mayor is just such a despicable leader and overall corrupt person. His demeanor is just so revealing about what he is all about. He obviously isn’t bothered by what is going on because he is in a safe position, however, when he needs to show power or make a point, he sits up in his chair and makes pointed eye contact. This just asserts the level of talent all of these actors have, but it just oozes what True Detective is all about. We want to see the worst in the world and how it operates, and this week we saw just that.

Plot

I can happily say that I have a better grasp on what is actually going on now. Vince Vaughn lost all of his capital because Caspere screwed him over, and then died. Now Vaughn is not only out millions of dollars, but out of the deal that he and Caspere were working on regarding the high speed railroad. We know that Vaughn is also in deep water with some of his more nefarious investors such as the russian mobster we saw last week. Rachel McAdams is also now the task force leader in the investigation to solve Caspere’s murder. Taylor Kitsch is still the same brooding man he was before and has a fucked up mom who is oddly sexual towards him. Farrell is, with the prospect of losing his son, reevaluating his involvement in the criminal underworld. He now wants to actually solve this case rather than obstruct it in favor of the mayor and police chief. Obviously now, Caspere’s murder will be the catalyst all of these characters need in order for them to develop and change. I am now intrigued and wanting to see and learn more about Caspere’s murder as well as what he was involved with whether it be another cult, or some other sort of criminal enterprise.

What Didn’t Work?

Cinematography

Ok, seriously how many fucking aerial shots do we need in one episode? Literally after 99% of the scenes in this episode it is immediately bridged by a roaming aerial shot of the L.A. traffic landscape. It does nothing to help me get in the mood for what is to come, or help me understand anything. All it does is take me out of the moment that the previous scene just worked so hard to get me in to. It just makes me think, “Hmmm. L.A. traffic does suck. Glad I don’t live there.” True Detective is usually much more pointed with their scenery. It usually means something, or is supposed to make you feel a certain way, but it is having the opposite effect on me now. I hope this begins to change, but I have a lingering feeling that it won’t.

ClUnkY WritInG

This is exactly how I feel when listening to some of the bullshit written for these compelling characters to say. The opening anecdote that Vaughn tells is completely unnecessary and circular. I don’t feel like the story led me anywhere, and in fact, just repeated what it said in the beginning with the same lack of substance as it had the first time. He begins to talk about the world feeling like paper mache which then leads to a fucked up story about the abuse he endured because his father is a drunk and got arrested. Then the two completely separate issues are connected by nothing more than the fact that Vince Vaughn is speaking about both. They have no connection whatsoever, and if it weren’t for Vaughn’s excellent acting during this scene, I would have turned the episode off. Then later on, some of the dialogue between characters was so good and funny, only to be immediately ruined by dialogue that didn’t seem like it fit the characters at all. There was obviously lazy writing interspersed with great dialogue and storytelling. I hope this uneven writing doesn’t continue to happen, but so far we are two for two.

Overall Assessment

This was a large improvement from the season premiere. I am officially excited and intrigued by this new season. I am invested in the characters and care what happens to each, except for maybe Taylor Kitsch. He needs a bit more development. This episode delivered some admittedly disappointing elements, but they were fortunately out-weighed by the phenomenal acting and interesting plot. I hope Colin Farrell isn’t actually dead, nor do I really think he is, but who knows. This ending is one way to keep me watching! (I also loved the shoutout to Gilroy, CA, my hometown, in the episode!)

Score: 6.7/10

As always let me know what you think? Am I being too harsh on True Detective? Were you surprised by the explosive ending? Do you think Farrell is really dead? What is your impression of the season so far? Please be sure to follow me on Twitter @HaneyCasey, check me out on MoviePilot.com/HaneyCasey and read what else I have on my site SlackerNerds.com where we talk Tv, Movies, Comics, and Video Games! Thanks for reading!

Regular Guy Review: Inside Out

Inside Out? More like tear my heart out from the inside out. Pixar does what it does best here. It pulls on your heart strings and plays sweet sweet music with them. Inside Out makes you cry, laugh, and cheer just like most Pixar movies do. However, I will say that perhaps expectations were too high and this movie felt like a bit of a let down due to some of the press surrounding it. So, let’s hop on the control panel, and decide what emotion describes how I felt about the movie.

What Worked?

Characters

Let’s face it. Pixar’s ability to feel a spectrum of emotions during their movies wouldn’t be possible without their creation of such memorable and relatable characters. Riley, the little girl in the film, was much like any of us were as children especially at her age of 11. I remember acting out, feeling sad, wanting to run away, the overwhelming nervousness of a new school, and trying to face each obstacle with a smile on my face. She really reminded me of myself, and I feel like most people could relate to her as well. The real finesse on Pixar’s part comes in the form of their embodiments of emotions. Each major emotion is a living being who helps take control of Riley’s body and decisions. These characters could have fallen flat and seemed one dimensional especially since they are inherently one dimensional being that they are the physical embodiment of one emotion. Each one interacts and works so well off of the other though that you really get to see the full spectrum of human emotion. Even the side characters are ones who play an integral part in helping our heroes much like most side characters in Pixar movies. They ensemble reminded me of Finding Nemo, where each new side character was vastly different than the last, but each one helped fit a role that needed to be filled.

Plot

It was very interesting and unique to see an adventure within Riley’s mind, as well as the consequences of that adventure in her real life. It was a great dynamic. Joy and Sadness’ journey to save Riley’s long-term memories in order to maintain her personality was one that you grow to care about very much. It made me even reflect on some aspects of my former self that I may have lost or let go. Also, Riley’s subsequent reactions to each decision made in her brain by the emotions, whether it be running away, quitting hockey, crying in class, or yelling at her parents, all made for a trip that played out like a rerun of my own life. I think most people probably felt similarly. Joy’s journey to understand that each emotion must live in tandem was also a great lesson learned that played out very lovely. Each piece of progression in the plot, although thickening the main plot, had a great message of its own. Most movies can’t do that as smoothly as Pixar managed to do in this film.

Visuals

As usual, Pixar just crushes it when it comes to visuals. Every aspect of their animation is just so unique and flawless. They delivered on their definite style while also feeling different enough from previous movies that it wasn’t distracting.

What Didn’t Work?

Plot Layout

Although I enjoyed the journey very much, and I like each lesson that was learned, it was a little too predictable. The film literally has Joy and Sadness run from each personality island in order just to have each one crumble before they get there. It just seemed unnecessary to have each one go down in order. Also, the visual representations of these islands, long-term memories, and thought train, made it too obvious that they were going to take a very specific route out of the control center, and back there again. This isn’t a huge grievance, but usually Pixar is a bit less on the nose about where they are going with a plot whether it be visual cues or even verbal ones.

Pace

They started out much like they do in every movie, with a little 5 minute introduction scene to get you invested in the characters before they jump into the main story. However, once we jump into the regular story, things just didn’t seem to slow down enough for me, and it made everything feel rushed. It didn’t help that the plot itself dealt with a time constraint, but perhaps the pace was set fast on purpose in order for the audience to feel rushed to have Joy and Sadness return to the control room. I just didn’t think it worked to well. I felt literally exhausted at the end of the film because there was just so much emotion, and so little down time to process it.

Overall Assessment

Of course this movie is great. It’s really good. However, I wouldn’t agree with a lot of hype asking or stating that this could be Pixar’s best movie yet. I highly disagree with that. It comes in softly as my 5 on my top 5 Pixar films of all-time. To be fair though, Pixar is like a guy who only shoots and hits net. Every once in a while though, they hit the backboard or the ball circles the rim and still goes in. Pixar rarely misses, but sometimes their shots look a little better than others. This was definitely a make, but it just wasn’t quite as great as their phenomenal films. You should really go see it, but don’t feel too distressed if you can’t make it to the theaters. You can wait for this one to come to Redbox or something else. Just be sure to see it.

Score: 8/10

As always, be sure to tell me what you think? Have you seen the film? Will you being seeing it in theaters? Do you think it's Pixar’s best so far? Please make sure to follow me on Twitter @HaneyCasey, check out my website SlackerNerds.com, and check me out on MoviePilot.com/HaneyCasey.

Regular Guy Review: Jurassic World

This is how a summer movie is done. Huge set pieces, lots of action, fucking dinosaurs, and great human leads all make for one hell of a time at the movie theater. I was lucky enough to see it opening night in a huge theater that was packed to the brim. Needless to say, my theater was going crazy. Chris Pratt was much more macho and charismatic than his usual dorky and quirky self, but it worked really well. The kid actors weren’t too bad either. Although there were some obvious weak points, the movie as a whole delivered exactly what I, and apparently many others, expected it to deliver. Dinosaurs fighting dinosaurs, velociraptors, jungles, suspense, fun characters, and a great sense of wonder. Let’s rip into this movie and digest the good with the bad.

What Worked?

The Fucking Dinosaurs (Duh!)

The dino’s are what we go to these movies to see. We care about the humans, but it’s all about seeing this larger than life animals tear into each other and humans. We want to be terrified and awed by these behemoths. Jurassic World is much more aware of this than both Jurassic Park 2 and 3, and it is better off for it. It gives us plenty of crazy dino action as well as more species to like, dislike, and shit our pants over. The Indominus Rex was a cunning, well-rounded dino villain who was a certified killing machine. It was great seeing her fuck shit up all over this island. Pratt’s raptors were also super awesome. It was uneasy to see them be trained because you expected them to go crazy at a moment's notice, but I think ultimately that helped build more suspense. We also get the classic T-Rex action that we’d expect to get from the Jurassic franchise, but the real award for scariest fucking dinosaur to ever live goes to the Mosasaurus. It’s a humongous underwater dinosaur that just straight up murders the hell out of whatever gets close enough to its enclosure for it to snatch up. It plays a pretty great role in the movie as well. Overall, these dinosaurs did not disappoint.

Pratt Fever

Chris Pratt is definitely building up his nerd portfolio. He’s doing great as Star Lord, but is great as this macho man dinosaur tamer. He is fun to watch, but also dramatically believable in situations of duress. He isn’t very douchy in this film either, which was a very nice surprise. Pratt makes you love him like he always does, but carries the film a bit more than he did in Guardians. He is shaping up to be the next big leading man, and this is just another notch on his impressive belt of hits.

Landscapes

We all love seeing these huge dinosaurs roam in a land large enough and lush enough for them. Just like the first movie, this one gives us some great, sweeping shots of dino’s running and grazing in their designated areas. It makes for really beautiful shots that inspire awe. It’s just one of the many pieces of the Jurassic puzzle that this movie fits perfectly.

What Didn’t Work?

How Big is the Indominus Rex?

The first time we get an obscured look at it, it seems to be comparable to the likes of Godzilla. Then, when we see it for the first time, it doesn’t look very much bigger than the T-Rex. Then, again when we see it slithering around in the forest it looks small. Later on, while it’s being shot at by a helicopter, it looks huge again. Also, when we have a few close-ups of its face getting close to our human characters, it looks giant yet again. Even in the final showdown, it alongside other dinos doesn’t look as menacing as they talked it up to being. I don’t mind it being around the T-Rex size, but I wish it would have looked a bit more consistent throughout the film.

Really? No Cell or Walkie Reception?

There are dinosaurs in this world, but it’s not like we’re living in the Jurassic Age! Why the hell is there so much fucking static on the walkies, and no goddamn reception on the cellphones!? It never explains this, but uses it several times in the movie. I would have liked it if perhaps they had the Indominus knock down a cell tower or something, but nothing of the sort was ever said or shown. I mean what the hell? With the amount of people coming in and out of this place how could they have this bad of reception? I get it, it’s a movie, but this is something that could have easily been added in and explained to make these moments even more tense rather than a little dumb.

Why The Fuck Would You Make This Creature?

I get it. You wanted to make a thrilling animal that would scare the patrons and create a spike in attendance, but why would you literally make an unstoppable killing machine. Who does that benefit whether you’re the park head, or the nefarious scientists doing some black market splicing? Like what the actual fuck? It just seemed a bit weird. There was a little nod when Vincent D’Onofrio told BD Wong to hide evidence of “what they’d been doing there.” But what exactly were they doing, and who would it benefit? It was just a bit confusing trying to find an adequate excuse to do such a dumb thing with so many smart people around.

Overall Assessment

This movie was a great summer movie. It was extremely fun, especially with an engaging audience. It made for a great time at the theater that has seemed to be a bit lacking this summer. I was very happy to return to this world and explore what else we can do with these dinos. Everyone in it acted well, and the action was exciting. There were some very dumb parts in this movie, but that’s to be expected when you’re watching a movie full of dinosaurs in a theme park. All of this being said, you should definitely go see this on the big screen and buy some popcorn. You’ll enjoy yourself.

Score: 7/10

As always, please let me know what you thought in the comments below. Have you seen it yet? Will you see it? Did you like the new dinos? Are you still in love with Pratt? Please be sure to share this, follow me on Twitter @HaneyCasey and check out my website if you aren’t already at www.slackernerds.com. Thank you all for reading!

Regular Guy Review: Spy

Paul Feig has done it again folks. He has created one hell of a film that definitely deserves some of your precious time! The movie is all about the characters Feig creates and steers into the hilarious situations. The spy aspect is really almost background noise to the interactions these characters are having with one another. Literally, all of the actors in this movie are phenomenal. Everyone plays off of each other wonderfully, every comedic nod to the spy genre isn’t too on the nose, and the movie just straight up makes you laugh a lot. Let’s break down exactly why you should listen to a guy like me when I say you need to see this film!

Actors

Source: Huffington Post

Who knew Jason Statham was so damn funny under all of those muscles and mean looks? He is hands down the best part of this movie. There are times when certain lines from Melissa McCarthy outshine him, but overall Statham steals the show. He plays his manly man character who doesn’t play by the rules so damn well. Not only that, but some of the physical comedy involved is perfectly timed and executed. And finally, his extreme dimwittedness while also being extremely cunning is such a hard balance to execute, and Feig along with Statham manage to create the perfect storm.

Melissa McCarthy, when not dealing with self confidence issues, is laugh out loud hysterical. When she grows balls and starts yelling at one of the Swedish bodyguards for Rose Byrne’s character, it ends up being one of the best sequences in a film filled with action and other comedy. McCarthy is a master at shifting between unassuming to rage filled mad dog who will tear you down physically and emotionally. Her banter is some of the best in the business right now, and her insults rival that of Gunnery Sergeant Hartman from Full Metal Jacket. Alongside her banter is her knack for physical comedy. She is the female reincarnation of Chris Farley without a doubt. She can move so swiftly and perform some great stunts on her own.

Rose Byrne who is usually known for playing the nice girl we all seem to know in our lives, transforms into that one customer we all have and despise. She is self absorbed, harsh, dumb, and overly critical with the minutia of life. Whenever she breaks down McCarthy’s confidence it is almost sad, but too hilarious not to laugh. Again, this fine line was balanced upon perfectly by Feig.

Jude Law was charming as always, and his American accent wasn’t half bad. I knew exactly where his character was headed in the plot the whole time, but he still played well with Melissa McCarthy. What’s important in a comedy is to surround those who aren’t the strongest in the genre, with those who are the powerhouses. This is what Feig did with McCarthy and Law. Law who isn’t particularly funny, is transformed into a smart mouthed, critical, dumbwitted spy who embodies that suave personality. He is great in the film, but serves much more as a tool to move along the plot than a character who gets to enjoy the ride like the rest of them.

Finally, the character from left field was McCarthy’s friend in the film Miranda Hart. Wow, she has some comedic chops. Much like McCarthy she has a very strong witty presence surrounding her, but still shrouded in the unassuming outward personality. Her scenes with 50 Cent (yes, he’s in this too, and hilarious!) are stunningly great. Usually, scenes with celebrities are throwaways, but she carries him through like a champ and even helps elevate his comedic presence.

Spy Nods

The whole movie is a borderline spoof of the entire spy genre. The opening scene with Jude Law infiltrating a foreign foes fortress while easily seducing women is a great nod to the Bond films. The next nod comes in the form the opening song’s music video just like the Bond films. Admittedly, this is my least favorite part of not only the Bond films, but also of this one, however I thought it was a well placed, well done nudge to the genre. Also, Statham’s and Law’s characters are both based on obvious archetypes of macho males in the spy genre. They are constantly seducing women, saying things like, “I work alone! I quit. I’ll have to do this on my own!” and always dressing unbelievable nice. The funniest nod, in my opinion, was Statham’s elongated brag story about all the escapades he’s had on missions, to convince McCarthy that he can solve this one on his own. He talks about getting his arm ripped off, and putting it back on with the other and jumping off buildings, to trains, to cars, all while on fire. These are great lines alluding to all of the impossible situations in spy movies that the protagonists seem to make it through unscathed. Again, the whole movie has a perfect balance between spoof and parody as well as orchestrated comedy that is executed to perfection by the cast and Feig.

Are You Convinced Yet?

Source: Youtube

Well, I hope I was able to convince you to see this film, if you have not already. It’s absolutely fantastic and will make you laugh out loud undoubtedly. I guarantee that you haven’t seen Statham, Byrne, or Law this funny before. McCarthy returns to her masterful, comedic form and is aided by the equally talented Miranda Hart, who alongside director Paul Feig help create a wonderful atmosphere for this film. Trust me, you’ll love it.

Score: 9/10

Please be sure to check me out at my website, www.slackernerds.com and follow me on Twitter @HaneyCasey! Please leave some comments and let me know what you think, and be sure to check out my other articles there! Thanks so much for reading guys and girls, and please, stay nerdy.